The Palace is such a magnificent structure, and the grounds are so peaceful and inviting. It was essentially designed by Bernard Maybeck from a fictional ruin from an earlier time, taking inspiration from Greek and Rowman architecture.

It is located in San Francisco’s marina district it is one of the more recognizable monuments and was built in 1915.

The painting progression was filled with wonder, surprises and bliss. Each day as I entered the studio it was so exciting to see the piece slowly evolve. Almost as if it painted itself, at a very slow snail like pace.

It was coming along beautifully. Problems would arise and they would be figured out. However, there was one glaring problem. The footpath in the lower left

When I finally addressed it, I froze in my tracks. Putting the painting away, distressed and disappointed thinking the whole thing was ruined.

Of course, I immediately drew out another version that is waiting to be painted.

That was a month or so ago.

Yesterday I took the painting out. Overall, it’s a decent painting. But I now have two focal points, one of which I don’t want. My perspective along the walkway is all wonky. Yet I believe this piece has a great deal of potential, if it is cropped.

Here I would like to offer you three different cropped versions. Please let me know which one is your favorite.

#1. The Rotunda

#2. The Columns

#3. Without the walkway

I’m looking forward to seeing your answers.

Keeping the brushes wet,

Teresa